Book Review: Bibliographic Control of Music, 1897-2000
DOI:
https://doi.org/10.5860/lrts.51n1.69References
D. W. Krummel, Bibliographies: Their Aims and Methods (London; New York: Mansell 1984): 10-nRichard P. Smiraglia, Music Cataloging: The Bibliographic Control of Printed and Recorded Music in Libraries (Englewood, Colo.: Libraries Unlimited 1989)nNancy B. Olson, Cataloging of Audiovisual Materials: A Manual Based on AACR2 (Mankato, Minn.: Minnesota Scholarly Press 1981) Nancy B. Olson,
A Cataloger’s Guide to MARC Coding and Tagging for Audiovisual Material
(DeKalb, Ill.: Minnesota Scholarly Press, 1993)nDeborah A. Fritz, Cataloging with AACR2 and USMARC for Books, Computer Files, Serials, Sound Recordings, Video Recordings (Chicago: American Library Association 1998)nJean Harden, '“How is Music Cataloging Different from Book Cataloging,”' MOUG Newsletter no. 74 (Nov. 1999): 6-10 Wendy Sistrunk, “Quality of LP Sound Recording Cataloging in OCLC: A Working Paper,”
MOUG Newsletter
no. 73 (Aug. 1999): 10–14; Rebecca Dean, Deta S. Davis, and Susan K. Westberg, “Authority Control in Sonata Form: OCLC/LC Uniform Title Correction,”
MOUG Newsletter
no. 67 (Aug. 1997): 19–29nJay Weitz, '“More News From OCLC,”' MOUG Newsletter no. 34 (Jan. 1988): 5-6nKrummel,
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